Just another use

I love visiting op shops when I have some free time and usually I am looking for old embroideries, preferably completed ones to add to my collection.   Occasionally I manage to locate some real treasures, but more and more they are harder to find.  Often I find half-finished needlework with no matching threads, and rust needle marks on them which is not so good!  Recently I found a couple of pre-printed linen designs that had not been started and I was thrilled.

I decided to try some buttonhole stitching around the edges of the design and chose Ne 12 (the heaviest weight of the Aurifil Cotton Mako) to use. I wanted the stitching to disappear on this project, so I tried to match the colour of the linen with the thread.   I am pleased with how it is progressing and the advantage with using the Ne 12 makes it so easy to stitch – no plying and splicing of embroidery threads – and the Ne 12 lies flat to the surface.  The scary part will be when I have to cut back to the line of buttonhole stitches surrounding the doiley and between the flower designs. I think steady fingers and a sharp pair of fine scissors will be needed then.

How can you substitute Aurifil threads to use for all your embroidery designs?

In the past few months I’ve been asked this question many times so I thought that I would tell you what I have been doing lately with my Aurifil Block of the Month Embroidery.

The February Aurifil Block of the month stitched with Lana wool thread on a felted wool fabric

The February Aurifil Block of the month stitched with Lana wool thread on a felted wool fabric

 I chose to be different (I never can stick to the rules, and must always add my own little twist to my textile projects). So instead of stitching my blocks on cotton with Cotton Mako’ 12, I am working with some lovely soft wool/alpaca blanketing, that I have felted, and embroidering the designs with Lana wool blend thread.

You can see here, for the March block, how easy it has been to substitute the wool colours … not least because I had a thread wrapped colour chart for both thread ranges to hand.

The 4 Cotton Mako' colours used in the Aurifil Block of the Month Embroidery

Aurifil lana wool threads

These are the Lana wool colours that I will use for my wool embroidery

In case you haven’t yet caught up with the Aurifil Block of the month, the March block is “Spring if we are lucky” by Victoria Finlay Wolfe. You can read about Victoria, and down load her pattern, from the Auribuzz blog.

You can purchase Cotton Mako’ thread sets for the Embroidery Block of the month from the Always Quilting Online Store.  If you want to be a rebel, like me, and use different colours just go directly to the Cotton Mako’ pages.

The "Spring if we are lucky" embroidery, designed for Aurifil by Victoria Finlay Wolfe

The "Spring if we are lucky" embroidery, designed for Aurifil by Victoria Finlay Wolfe

Now swapping one Aurifil thread range for another is an easy process but what happens if you want to replace another brand of thread with Aurifil?

As people have realised how pretty the Cotton Mako’ & Lana threads are, and how well they work for both hand & machine embroidery, they have set aside their old threads in favour of using threads from the Aurifil range.

The first request for help with a “swap” this year came from one of the Aurifil Retailers, who had a customer ask if there was a conversion chart that would help her convert her hand embroidery pattern from DMC thread, as charted, to Cotton Mako’.

The customer had been using Cotton Mako’ 12 for all her recent work and she loved the appearance, and convenience, so much that she didn’t want to use the specified DMC stranded thread on her new project.

In this case, the embroidery pattern being used didn’t give any indication as to the thread colours, so we had to go to a conversion chart to work out the Cotton Mako’  replacement threads. (see the references below to download your own copy of the conversion chart I found)

However, note that this particular chart is now nearly five years old and both DMC & Aurifil have added new colours in that time that are not included in the conversion.

Another “problem” that arises with the use of a conversion chart is the difference between the “swap” colours and the colours that they are replacing. Every manufacturer uses their own colour/dye recipe so there will never be a truly accurate conversion from one brand to another.

This means that the most appropriate colour is not always the most direct swap, as noted on a conversion chart. You need to look at the new colours to make sure that they will play well together and add a brighter, or mute, version of the colour family if one colour doesn’t please the eye when grouped with the other threads.

When making these decisions also consider how much of the particular thread will appear in the design, and how it works with the fabrics that may be used to frame the embroidery.

See the link below for Dena Crain’s great post about checking the relativity of colour when using a thread conversion chart.

Earlier I commented that the pattern that we were colour swapping did not have any of the colours named. This can be a blessing if the thread brand uses “vanity” names to describe the colours rather than a more direct description such as pink or blue.

At work this week, we were amazed when Judy picked threads for a new embroidery she was about to start.

One thread, described as Aubergine in the original pattern, was converted according to a colour chart and turned out to be a lavender blue colour.

If we had simply relied on the vanity name we would have picked a much darker colour, and yet the softer purple blue worked perfectly with the other threads, and the fabrics. (Watch for Judy’s blog about this sometime in the future.)

So you can see that there is no single rule for swapping threads in a project. You need to choose the colours that work for you!

References:

A printable thread conversion chart for DMC to Aurifil Cotton Mako’

Dena Crain’s Blog post about using colour conversion charts

In the process of searching for online thread colour conversion charts for hand embroidery I also came across links that could be of use for machine embroiderers, to keep their threads, designs and online links organised.

The Easy Organiser Suite

My Thread Box Conversion program

NOTE: I have not downloaded these programs, or tested them in anyway, so use them at your own risk!

I also found an online, interactive, program that converts colours from one brand to another.  It is a little tricky to use but it is a useful starting point.

Needle pointers interactive colour chart conversion program

If you have any hand tips, or links to other thread colour conversion charts we would love to have you comments.

The Monofilament Trials

Last year we ran some “in house” tests on the Aurifil nylon monofilament with great success.

Fabric strips sewn together with Aurifil Monofilament

Naturally, a quilted piece of fabric is not usually pressed with high heat, but we do press applique units as we work, and monofilament is often used for machine applique, so it was important to check out the thread to see if it broke down in any way.

We were delighted to find that it stood up to pressing with a hot iron without any change to the feel of the thread. It also worked well when stitching at high speed in straight lines, and with ziggy zaggy changes of direction.

A closer view of the VVVV stitching pattern and looping stones, quilted using the Aurifil monofilament thread

A closer view of the VVVV stitching pattern and looping stones, quilted using the Aurifil monofilament thread

So you can imagine how pleased I was to read Laura’s blog about her successful testing of the Aurifil Monofilament …. pop over and read her funny descriptions of how cruelly she treated the thread and how well-behaved it was in response to the abuse.

Aurifil’s monofilament is a very fine thread ( I describe it as hair fine) that can be snapped between your fingers. I’ve used the ‘snap” test ever since I read about it, years ago,  in “Heirloom Machine Quilting” by Harriet Hargraves.

She recommended using the test to judge if a monofilament should be used on a quilt …. if the thread didn’t snap she said it was too thick/strong for the quilt.

You can find out more about the Aurifil monofilament on the Always Quilting website

Dressed at Last!!

Some time ago I purchased a cushion pattern designed by Carol Roberts www cherrypiedesigns.com  My intention was to make a pair of cushions for our “naked” family room sofa.

When we went on holiday in January, I decided this would be a suitable hand project to take with me.

The cushions have some applique which I did using the needle- turn method and some English paper piecing. I used Aurifil Ne 50 thread which is lovely and fine and enables neat stitching.

Constructing the cushion top.

I then used Aurifil Ne 12 thread in a contrasting colour to lightly quilt the tops.  This added definition to the design without overwhelming it.

Adding the quilting.

Once the tops were completed, I joined them to the cushion backs by machine.  The pattern suggested using binding to do this, in the same way you bind the front and back of a quilt.  I had not used this method on a cushion before, but was very pleased with the neat appearance this created.

A finished cushion.

Now my sofa is “dressed”……..but my husband wants to know what I intend to do about the naked armchairs!!