The Farmer’s Wife 1930s Sew Along Epidemic!

I admit it! I get very excited about patchwork and quilting. Sometimes I even finish some of the projects I begin with this unbridled enthusiasm.

My current passion is THE FARMER’S WIFE 1930’s SEW-ALONG. There is a ‘one stop page’ for all the information curated by GNOME ANGEL. (gnomeangel.com).

GnomeAngel.com

My book arrived last week and I am busily preparing my patterns and choosing my fabrics for the September 28th start date.

The Farmer's Wife 1930s Book and Fabrics

The Farmer’s Wife 1930s Book and Fabrics

I know I have promised some unique results from the 200g of scrap swap….

Scraps Become a 'new' fabric

Scraps Become a ‘new’ fabric

Half Square Triangles created with these great papers

Half Square Triangles created with these great papers from Quilters Barn

…and I will finish that project…
BUT, this is a SEW-ALONG and I have never done a SEW-ALONG like this before. The group has its own Facebook page and there are already over 2500 members. Can you picture the diversity and cleverness of all these Patchworkers sewing along? It quickens the pulse.
My bobbins are full and my needles are new.

Fabrics, Bobbin and Needles

Fabrics, Bobbin and Needles

Come on and join the world wide project that has developed a life of its own! You know you want to…think of it as using up lots of fabric you already have to make room for new fabric that hasn’t even been designed yet…..ooooo aaahhhhh.

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Longbourne at Castlemaine

Last weekend I had the pleasure of attending a class with Katrina Hadjimichael. http://katrinahadjimichael.blogspot.com.au/

The class was hosted by Corliss of Threadbear Patchwork and Quilting in Castlemaine. http://www.threadbear.com.au/

I have been an admirer of Katrina’s work for a number of years, so when I heard that she was to teach here in Victoria, I knew I had to be there! The quilt being taught was “Longbourne”,  number 3 in Katrina’s Jane Austen series, which currently numbers eight. It’s a feast of applique, fussy cutting and English Paper Piecing. Bliss!

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Katrina and “Longbourne”.

Twenty eager ladies gathered in the light and cosy venue for a day filled with lots of learning, inspiration, friendship, laughter and delicious food (that I didn’t have to prepare!!)

When we arrived and found a spot to park our bags, belongings and bodies, we received a lovely little gift bag from Corliss, complete with chocolate sustenance and fabric treasures.

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What’s inside?

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Treasures!

Katrina also came armed with a gift: a copy of the recent Quilters Companion magazine which included a DVD featuring Katrina and her tips for Jelly Roll quilts.

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Then to the real work of the day! Katrina is a very organised and meticulous teacher and led us through the various techniques and processes required to make our own version of Longbourne. All the extensive notes, beautifully drawn pattern sheets, and a collection of photos showing in detail various elements of the quilt, were presented in a display folder for each participant.

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Pattern sheets and detailed instructions in a display folder.

Most participants chose to use reproduction fabrics for their quilts as in Katrina’s original, but one other brave soul and yours truly ventured into the realm of brights. I have decided this presents an additional challenge: many of the fabrics in bright modern fabric ranges have larger scale designs on them. For some elements of the quilt, especially the centre panel, small scale designs are also necessary. I found I had to go shopping for some additional fabric. (Oh dear, such a hardship)

At the beginning of the class one lady asked Katrina what her secret is for such accurate and neat work? In short, the answer is attention to detail.  All applique components are tacked onto paper first. Katrina takes great care when tracing and cutting out her pattern pieces. No sloppy workmanship here!

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Tacking onto cartridge paper for fussy cut components.

 

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More tacking.

Here’s Katrina demonstrating how she makes tiny (3/8″) hexagons. And the thread of choice… Aurifil of course!! (Here she is using 50 weight).

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And so, to sew. The bias stems come first.

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Ready to applique the bias stems.

I have not done a great deal of actual sewing as yet, but I have done a little playing with various fabric combinations, and lots of thinking about my creation.

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Playing and thinking.

And when Longbourne is finished, there may be another of Katina’s Jane Austen quilts calling me.

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Lambton, the latest in Katrina’s Jane Austen collection.

Thank you Katrina and Corliss for a most enjoyable and inspirational day.

 

Hoopla 2

Last month I blogged about displaying work in hoops. Today I want to share another project displayed this way.

I love working with wool felt and Aurifil Cotton Mako Ne 12 (on the red spool).  I love the colours available and the ease of sewing. The cotton just glides through the fabric. Aurifil Lana (Australian wool and acrylic mix, also 12 weight and on a red spool) is also ideal for this work.  I decided to make a hanging using  my collection of wool felt in bright cheerful colours and a selection of co-ordinating Aurifil Cotton Ne 12 threads.

I gathered some resources for inspiration and technical know-how and started designing my project.  I especially found the work of Wendy Williams (http://www.flyingfishkits.com.au) and Sue Spargo (http://www.suespargo.com) helpful.

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Design inspiration

I drafted my design on paper to give me an idea of placement and proportion, though as you might notice, I later changed some of the embellishment details.

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A rough draft which I later altered.

I like the addition of rick rack in my projects and so I incorporated this here.

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Using rick rack for the stems.

Next came the first flowers.

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Arranging the flower components and selecting the thread colour.

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Adding the embroidery.

 

Then some  leaves.

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Adding and embellishing leaves.

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Two different leaves and a stem.

I created a large flower.

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Adding embroidery to the large flower.

When I had completed all my stitching I needed to place my work into its hoop and back it.

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Securing my work in the hoop.

I described this process in my previous post. https://alwaysquilting.wordpress.com/2015/06/19/hoopla/

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Stitching on the felt backing.

My hanging is complete.

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This was such a delightful little project to make, I’ll definitely be making more items like this!

Recycle, Reuse, Renew……Recover

Last week we were all entertained with ladybirdee’s recovered pincushion.  It was inspired and inspiring, and I have taken this ‘recovering’ theme one step further.

I was in need of a table and chairs and after perusing the furniture stores and not finding what I had in mind, I had a look on eBay. I fell in love with a table advertised there….because of the chairs! I  purchased several meters of fabric from “that Swedish furniture store” to use for recovering the chairs.

Cotton drill fabric for recovering chairs

Cotton drill fabric for recovering chairs

After recovering the chairs, I had some fabric left and the table looked so naked.

Chairs with 'new

Chairs with ‘new” seats

Then, I remembered I had Judy Neimeyer’s Compass Rose table runner paper piecing pattern. The finished size of her table runner was too long for my table so I decided to do some modifications.

Paper piecing

Paper piecing

Using my left over pieces of fabric from recovering the chairs, some gorgeous Reece Scannell cottons and other pieces from my stash,  I stitched my compass sections, using Aurifil 50 wt. cotton Mako (orange spool).  Use a slightly shorter stitch length to make removing the paper after piecing easy.

Aurifil for perfect piecing

Aurifil for perfect piecing

Stash fabric,chair fabric and cotton like SILK from Reece Scannell

Stash fabric,chair fabric and cotton like SILK from Reece Scannell

Triangles were cut over sized and added to the compasses to create squares from my octogonal shapes.

Triangles ready to sew

Triangles ready to sew

One Finished Compass Rose...3 to go

One Finished Compass Rose…3 to go

Sewing these new squares together resulted in the perfect sized runner for my ‘new’ table.

'New' table with a new look

‘New’ table with a new look

This project was quick and easy and ready to enjoy in a few days.

We would love to hear about your adventures with turning something old into something new again.

Hoopla!!

The staff at Always Quilting recently discussed using embroidery and quilting frames to display textile work. Embroidery and stitcheries, applique, pieced items and quilting, even a pretty piece of fabric can all be displayed this way. A quick internet search gives you lots of inspiration! Indeed, I was inspired and have since made a couple of items which are displayed in inexpensive embroidery hoops.

For my first piece, I decided to engage in some English paper piecing and fussy cutting and make a small companion piece for a mini quilt made last year and which I blogged about in a previous post. https://alwaysquilting.wordpress.com/2014/11/28/always-playing…-fussy-cutting/  You might recall that there was not much fabric left, but certainly sufficient for my purpose.

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Plenty of holes, but still enough fabric for my project!

I used 4x 2-inch clamshells and fussy-cut my fabric, with a small circle as the centre. There are many methods of preparing your English paper pieces, from tacking, to glue-basting, to fusible papers. I discuss one method here. https://alwaysquilting.wordpress.com/2013/02/22/english-paper-…agons-and-more/  When using clamshells, I prefer to tack the paper in place as this gives me greatest control over the curve, ensuring it is nice and smooth. When it is tacked into place I give it a good press.

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Tacking the fabric onto the clamshell paper.

Once I had made my clamshells I appliqued them onto my background fabric using Aurifil Cotton Mako 50. As you can see in the photo, I left plenty of fabric around the edges. I then took my little hoop, in this case 5 inches in diameter, and centred my design in it. When I was happy with its placement I tightened the screw so that the work was tensioned with no wrinkles.

 

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Ensure the item is centred in the hoop.

I trimmed the background fabric to a border of about 1 1/2 inches.

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Trimming excess fabric to 1 1/2 inches.

I took a strong thread (Aurifil Cotton Mako 28) and ran a gathering stitch around the perimeter. To make this job easier I did not cut my thread off the spool, but used it directly from the spool. This way could adjust it as required, and I didn’t run the risk of miscalculating the length of cotton I needed, or of accidentally pulling the gathers out. When I had the gathers sitting as I wanted, I cut the threads leaving a tail, then tied them in a reef knot to secure them.

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Gathering the background fabric behind the hoop.

To cover the back of the hoop I cut a circle of felt, using the hoop as a template for the circle. I wanted the felt to fit just to the edge of the blue background fabric, but inside hoop. Finally I stitched the felt in place again using a strong thread, Aurifil Cotton Mako 28. I used an overstitch going from the felt out towards the edge of the hoop as shown in the photo, and I ensured that each bite into the felt was about 3mm and went into the blue background fabric each time.

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Stitching the felt back into place.

And my little project is finished and ready to hang on the wall!

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My little hanging all ready to display on the wall.

In a future post, I will write about another project framed in this way.

 

No cooking, just stitching.

For the last ten years, I have been going away for the Mother’s Day weekend to Phillip Island, a small island near Melbourne.  The  local “Patches”  group there organise a fabulous retreat from Friday to Sunday with various tutors in attendance.  The accommodation is ‘school camp’ but you put up with that as the time you have is so much fun – and you can get all your meals cooked for you (a big plus in my book!).

Some attendees  ‘socialise’ which means, doing more chatting and walking and shopping than the others who are in classes.  I don’t mention ‘stitching’ in that sentence, as having been a ‘social’ attendee in the past, I must admit I did not do as much stitching as planned.

This year I had the privilege to attend a workshop with Sydneysider, Wendy Williams who  showed us how to make her beautiful quilt “Birdsville” in  wool felt.   It was a relaxing, and (at times for me learning new embroidery stitches) a challenging time.

WW Birdsville

We learnt how to make the beautiful flowers, birds and leaves on the quilt as well as how to add pieced blocks and quilt it.

My first flowers – little steps

WW flower 2WW Flower 3

and a lonely leaf – with needle still inserted so I can remember how to do it!

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I managed my layout – though this has changed a little since I took this photo.  I chose a soft grey Japanese linen look to work on, with a deeper grey wool felt.

WWilliams layout HM

Wendy uses perle cottons for her embroidery, but I have a selection of gorgeous Ne 12 AURFIL of course, so I used those.  They work  so well and so easily being on a spool and with all the colours to choose from, my biggest problem is which one to use!  I could use them straight from the spool or double the thread up to make a slightly heavier look to my flowers and birds.

At the end of the workshop, everyone put their work down on a ‘tree’ and we saw how colourful it looked.

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I hope I can get the quilt completed sooner than later – always the aim when you come back inspired from a great workshop.  If only I could have a whole week or more just to stitch  – like on retreat!  Thanks Wendy for such a relaxing and enjoyable workshop.  Thanks too Phillip Island Patches Committee for all your hard work to make these retreats such a delight – and I am already looking forward to next year.  Maybe, I can have my “Birdsville” finished for the Show and Tell.

Aurifil @AQC

The Australasian Quilters’ Convention is just around the corner (16-19th April) held at Melbourne’s Royal Exhibition Building.

Melbourne_exhibition_building

This is always an exciting event for quilters: an opportunity to see the latest in quilting trends, be inspired by the work of others, and shop for all things quilty.

Even the venue itself is full of inspiration!

Melbourne Exhibition centre, Calton Gardens

Melbourne Exhibition Centre, Carlton Gardens

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Stencil detail from Royal Exhibition Building….would look good as an applique border!

Here at Aurifil we have been very busy packing up stock for the Aurifil retailers to display on their stalls.

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Packing thread for one of our retailers.

Some of the retailers are taking a range of individual spools in various thread weights, while others are running special projects (such as block of the month) and we have been making up small packs of specially selected threads for these.

 

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We have also put together some new four packs, including 3 new reproduction basic collections, just perfect to give you a range of “go to” reproduction-coloured threads.

 

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One of three new “Reproduction Basics” collections.

These little four-packs also make great gifts (for yourself too!)

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New Four Pack: “Purple Passion”

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New four Pack: “Bubbles”.

The retailers who we know will have Aurifil for sale on their stands are:

Other Aurifil retailers present at AQC are:

In addition, some of the talented 2015 AQC tutors including Deidre Bond-Abel, Kathy Doughty, Karen Styles and Lisa Walton use Aurifil thread.

Look out for Aurifil at AQC and be sure to make certain that you have all the Aurifil supplies you need to successfully complete your current and future projects!