Summer Holiday Aurifil Treasure Hunt

I love finding textile treats as souvenirs whenever I travel. A new pattern, some fat quarters or patchwork tools are easy to fit into my bag & are meaningful reminders of my holidays.

I don’t need to search for Aurifil “souvenirs” when I travel, as I have the full range at my finger tips on our online retail store, but I do like to check out the shops that stock Aurifil and I thought that you might like to do so also.

Cotton-Mako-28-display

If you are not lucky enough to have a good stock of Aurifil in a nearby local quilt shop or, even if you do have easy access to Aurifil, it is always fun to find something new.

Cotton-Mako-50-40-display

So just for you, the souvenir hunter, I’ve compiled a list of the shops that have added Aurifil display stands to their stores in the past six months.

Cotton-Mako-40-display

Many shops stock Cotton Mako’ 50 so it has been exciting to see that some of these shops below have chosen to stock the Cotton Mako’ 12, 28 or 40 thread ranges for their displays.

Cottage Quiltworks (Warriewood, NSW)

Fairies & Fortunes (Richmond,  NSW)

Jukejema  ( Nowra, NSW)

Picton Patchwork (Picton, NSW)

Pot Pourri Cottage (The Junction, NSW)

Pleasure Sew ( Capalaba, Qld)

Fifi’s Fabricology ( West Burleigh, QLD)

Hettie’s Patch  (Hindmarsh, SA)

Quarter Inch (North Hobart, Tas) the new shop for Hugs n Kisses

Amitie  (Gardenvale, Vic)

Sew Inn (Colac, Vic)

Periwinkle Patchwork ( Warnambool Vic)

Materialise ( Nedlands, WA)

But don’t just use this list, as there are many more shops around Australia & New Zealand stocking Aurifil!

To help map out your summer travels, go to the website to get a complete list of Aurifil stockists in Australia & New Zealand, many of which have had thread displays &/or a great range of colours for a long time.

Happy Treasure Hunting!

Chistmas-banner

 

Wishing you a Merry Christmas & Happy  New Year for 2016

 

The Farmer’s Wife 1930s Sew Along Epidemic!

I admit it! I get very excited about patchwork and quilting. Sometimes I even finish some of the projects I begin with this unbridled enthusiasm.

My current passion is THE FARMER’S WIFE 1930’s SEW-ALONG. There is a ‘one stop page’ for all the information curated by GNOME ANGEL. (gnomeangel.com).

GnomeAngel.com

My book arrived last week and I am busily preparing my patterns and choosing my fabrics for the September 28th start date.

The Farmer's Wife 1930s Book and Fabrics

The Farmer’s Wife 1930s Book and Fabrics

I know I have promised some unique results from the 200g of scrap swap….

Scraps Become a 'new' fabric

Scraps Become a ‘new’ fabric

Half Square Triangles created with these great papers

Half Square Triangles created with these great papers from Quilters Barn

…and I will finish that project…
BUT, this is a SEW-ALONG and I have never done a SEW-ALONG like this before. The group has its own Facebook page and there are already over 2500 members. Can you picture the diversity and cleverness of all these Patchworkers sewing along? It quickens the pulse.
My bobbins are full and my needles are new.

Fabrics, Bobbin and Needles

Fabrics, Bobbin and Needles

Come on and join the world wide project that has developed a life of its own! You know you want to…think of it as using up lots of fabric you already have to make room for new fabric that hasn’t even been designed yet…..ooooo aaahhhhh.

Recycle, Reuse, Renew……Recover

Last week we were all entertained with ladybirdee’s recovered pincushion.  It was inspired and inspiring, and I have taken this ‘recovering’ theme one step further.

I was in need of a table and chairs and after perusing the furniture stores and not finding what I had in mind, I had a look on eBay. I fell in love with a table advertised there….because of the chairs! I  purchased several meters of fabric from “that Swedish furniture store” to use for recovering the chairs.

Cotton drill fabric for recovering chairs

Cotton drill fabric for recovering chairs

After recovering the chairs, I had some fabric left and the table looked so naked.

Chairs with 'new

Chairs with ‘new” seats

Then, I remembered I had Judy Neimeyer’s Compass Rose table runner paper piecing pattern. The finished size of her table runner was too long for my table so I decided to do some modifications.

Paper piecing

Paper piecing

Using my left over pieces of fabric from recovering the chairs, some gorgeous Reece Scannell cottons and other pieces from my stash,  I stitched my compass sections, using Aurifil 50 wt. cotton Mako (orange spool).  Use a slightly shorter stitch length to make removing the paper after piecing easy.

Aurifil for perfect piecing

Aurifil for perfect piecing

Stash fabric,chair fabric and cotton like SILK from Reece Scannell

Stash fabric,chair fabric and cotton like SILK from Reece Scannell

Triangles were cut over sized and added to the compasses to create squares from my octogonal shapes.

Triangles ready to sew

Triangles ready to sew

One Finished Compass Rose...3 to go

One Finished Compass Rose…3 to go

Sewing these new squares together resulted in the perfect sized runner for my ‘new’ table.

'New' table with a new look

‘New’ table with a new look

This project was quick and easy and ready to enjoy in a few days.

We would love to hear about your adventures with turning something old into something new again.

The Poppy

I began sewing my poppy in 2007 after visiting a Quilters Unlimited show in Herndon, Virginia, USA. I purchased the Carol Morrissey pattern at their merchant’s mall and then spent several years deciding on which fabric to use.
The years sped by and the applique took place a petal at a time with other projects started and finished as the poppy was pushed to the bottom of the ‘to do’ pile.
The poppy has special significance as a flower of remembrance world wide. After the first World War the following resolution was passed:
“The Returned Sailors and Soldiers Imperial League of Australia and other Returned Soldiers Organisations throughout the British Empire and Allied Countries have passed resolutions at their international conventions to recognise the Poppy of Flanders’ Fields as the international memorial flower to be worn on the anniversary of Armistice Day.”

” Centenary of Gallipoli ” Poppy

The Centenary of The First World War; 1914-1918, is being commemorated with poppies in many ways around the world.
The 5000 Poppies tribute calling for knitted poppies is now pushing 130,000 poppies as of late February this year.
• The quilt historian, Barbara Brackman, has featured a World War 1 Remembrance quilt on her blog; Material Culture during 2014. Where Poppies Grow-Remembering Almo was designed and made by Denniel O’Kell Bohannon and Janice Britz. My friend at Colvin Kiwi Quilts has made her version of Where Poppies Grow to commemorate her Great Grandfather’s involvement in WWI.
The Tower of London marked the centenary with poppies as well. Artists Paul Cummins and Tom Piper created 888,246 ceramic poppies that progressively filled the Tower’s famous moat between 17 July and 11 November 2014.
As 2015 approached, in Australia and New Zealand, the ‘Centenary of the Gallipoli Landings’ significance was spoken about more and more, I felt my poppy needed to be finished for ANZAC Day, April 25, 2015.
With the hand applique finished, I decided to machine quilt the whole flower to the yellow background with Aurifil 40 wt and Aurifil 50wt thread.

Poppy pin basted and ready to FMQ

Poppy pin basted and ready to FMQ

With all the beautiful threads to choose from, it is hard to decide!

With all the beautiful threads to choose from, it is hard to decide!

The petals were made using hand dyed fabrics and many Aurifil threads were auditioned to either match the colours or complement the pieces as I quilted the petal’s texture.

Thread for a perfect petal

Thread for a perfect petal

The stamens were quilted with a patterned stitch that came with my sewing machine. A zigzag or blanket stitch would have worked as well.

The Poppy Stamen and Petals

The Poppy Stamen and Petals

The label includes the poem In Flanders Field written by a Canadian Medical Corps doctor, Major John McCrae, who was serving with a Field Artillery Brigade in Ypres.

In Flanders fields

In Flanders fields

The Poppy Label

The Poppy Label

If you have created a textile piece to commemorate an anniversary from your history, please share with us so we can all remember.

Twenty First Century Quilting Plan

A few weeks ago we were treated to the first of four 21st Century Round Robin quilts. The quilting always changes the look of a quilt and these little gems are no exception.

I wanted to do something very modern and edgy. Using the idea of Twitter communication for inspiration, I thought I would quilt my ‘Tweet’. I drew my Tweet on non-fusible interfacing;  quilted through the interfacing on the drawn lines; then removed the interfacing to reveal the message.

Quilting design drawn on interfacing

Quilting design drawn on interfacing

 

I changed the thread colour to match the fabric colour. I have used Aurifil Mako 40wt cotton AND Aurifil Mako 50wt cotton.

Aurifil has a colour for every fabric

Aurifil has a colour for every fabric

Aurifil Cotton Mako 40wt and 50wt thread

Aurifil Cotton Mako 40wt and 50wt thread

 

The Hash-tag and letters needed to ‘pop’ and the ‘matchstick’ quilting was easy to complete with FMQ (free motion quilting).

Hash-Tag symbol 'pops' when left unquilted

Hash-Tag symbol ‘pops’

Free Motion Quilting

Free Motion Quilting around ‘U’

I have photographed this little quilt at an angle so the message can be seen in relief.

Twitter Message

Twitter Message

This little quilt says it all about creating with Aurifil….#FUN.

Another Day; Another Scrap Quilt

Last week I shared my Square in a Square scrap quilt and discussed my choice of quilting thread.

Today I will discuss my choice of piecing thread on a scrap quilt. I have been working on an ‘Easy Big Block’ Pineapple quilt, designed by Cindi Edgerton for McCall’s, using only white and red fabrics.

When I say ‘red fabric’, I really mean anything remotely looking red in my stash.

Blocks with fabrics that 'read' red

Blocks with fabrics that ‘read’ red

And then, of course, when I say ‘white fabric’, it could be beige, tan or snow white.

White Fabrics...compared to the red fabric

White Fabrics…compared to the red fabric

This type of quilt construction lends itself to a production line approach sewing strips of fabric to the paper foundation, following the numbers in order.

Tissue Paper Foundations from Cindi Edgerton

Tissue Paper Foundations from Cindi Edgerton

I don’t want to worry about my thread colour choice becoming an issue with each new fabric addition.

Here are the threads I considered on several pieced blocks.

Auditioning Aurifil thread  colours

Auditioning Aurifil thread colours

I decided on the Aurifil Mako 40wt Colour 2900. It is ‘neutral’ enough to blend with my ‘white’ fabrics and ‘brown’ enough to blend with my ‘reds’.

Decision Made!

Decision Made!

I can wind several bobbins and sit and sew without changing my thread colour every time the fabric colour changes.

It is helpful to have a range of basic piecing colours so you can choose the right one for your current scrap piecing.

Several Panels are ready to stitch together

Several Panels are ready to stitch together

The ‘basic’ , or MUST HAVE Aurifil thread colours are different for each of us. What are yours? Personally I want them all!

Wednesday Wonder: Thread Colours for Hand Quilting

Last week we helped a customer choose threads for hand quilting, something that we often do but we don’t always get to see the results.

Well this week Judy L sent me a photo of the quilt ….. just look at her beautiful feather and cross hatch quilting.

Judy-Leckie-feather

I loved this feedback, especially as Judy wanted a thread colour that would add a little contrast to the beige background fabric, so it was interesting to see how the colour selection had worked

Aurifil-Cotton-Mako-Ne28-quilting-colours

We played with several colours from the Cotton Mako’ 28 range.

In fact we spent quite some time agonising over the colours … some looked too dark while others looked too light.

Judy L finally decided upon a deep greenish brown for the feathers and warm brown for the cross hatching.

Aurifil-Cotton-Mako-1318-2340

In her email, Judy commented:

Just thought I would show you this,  the different colours don’t really show

This reminded me of the times that I have helped a customer choose the thread colour when machine quilting.

We have ALL the Aurifil colours at our finger tips, and many spools are open, so we can spread a length of thread across the quilt to preview the effect.

Doing this has made me realise that you don’t have to have the “perfect” colour. More often than not any one of 4 or 5 colours would work, and look good.

As Judy has found with this quilt, as long as the colour she chose was deeper & richer than the fabric colour, and the contrast was pleasing to the eye, it would achieve her desired effect and her hand quilting was always going to be a beautiful feature on the quilt.