I began sewing my poppy in 2007 after visiting a Quilters Unlimited show in Herndon, Virginia, USA. I purchased the Carol Morrissey pattern at their merchant’s mall and then spent several years deciding on which fabric to use.
The years sped by and the applique took place a petal at a time with other projects started and finished as the poppy was pushed to the bottom of the ‘to do’ pile.
The poppy has special significance as a flower of remembrance world wide. After the first World War the following resolution was passed:
“The Returned Sailors and Soldiers Imperial League of Australia and other Returned Soldiers Organisations throughout the British Empire and Allied Countries have passed resolutions at their international conventions to recognise the Poppy of Flanders’ Fields as the international memorial flower to be worn on the anniversary of Armistice Day.”
The Centenary of The First World War; 1914-1918, is being commemorated with poppies in many ways around the world.
• The 5000 Poppies tribute calling for knitted poppies is now pushing 130,000 poppies as of late February this year.
• The quilt historian, Barbara Brackman, has featured a World War 1 Remembrance quilt on her blog; Material Culture during 2014. Where Poppies Grow-Remembering Almo was designed and made by Denniel O’Kell Bohannon and Janice Britz. My friend at Colvin Kiwi Quilts has made her version of Where Poppies Grow to commemorate her Great Grandfather’s involvement in WWI.
• The Tower of London marked the centenary with poppies as well. Artists Paul Cummins and Tom Piper created 888,246 ceramic poppies that progressively filled the Tower’s famous moat between 17 July and 11 November 2014.
As 2015 approached, in Australia and New Zealand, the ‘Centenary of the Gallipoli Landings’ significance was spoken about more and more, I felt my poppy needed to be finished for ANZAC Day, April 25, 2015.
With the hand applique finished, I decided to machine quilt the whole flower to the yellow background with Aurifil 40 wt and Aurifil 50wt thread.
The petals were made using hand dyed fabrics and many Aurifil threads were auditioned to either match the colours or complement the pieces as I quilted the petal’s texture.
The stamens were quilted with a patterned stitch that came with my sewing machine. A zigzag or blanket stitch would have worked as well.
The label includes the poem In Flanders Field written by a Canadian Medical Corps doctor, Major John McCrae, who was serving with a Field Artillery Brigade in Ypres.
If you have created a textile piece to commemorate an anniversary from your history, please share with us so we can all remember.